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| Configurability | Fully customizable I/O with eight option card slots; install up to eight total analog, DigiLink, and/or digital I/O cards |
|---|---|
| Built-inI/O | ・64 channels of DigiLink I/O (via two 32-channel DigiLink Mini ports) at all sample rates・64 channels of MADI I/O at 44.1/48 kHz, 32 channels at 88.2/96 kHz, or 12 channels at 176.4/192 kHz・256 channels of Dante I/O at 44.1/48 kHz, 128 channels at 88.2/96 kHz, or 64 channels at 176.4/192 kHz (IP core) |
| OptionalI/O(soldseparately) | ・8 Mic/Line Pristine AD input card (DB25)・2 Mic/Line Pristine AD input card (DB25)・8 Line Pristine AD input card (DB25)・8 Pristine DA output card (DB25)・64-channel DigiLink I/O card (two DigiLink Mini ports) at all sample rates ・Thunderbolt 3 Option Module (enables up to 256 channels of native low-latency I/O at 44.1/48 kHz and 88.2/96 kHz, 128 channels at 176.4/192 kHz,and 63 channels at 384 kHz to Pro Tools and other Core Audio DAWs)・128-channel IP Audio Dante card with built-in SRC・128-channel Dual MADI I/O card・8 AES3 I/O card (16 mono channels)・2 x 16-channel Dual SDI/HD/3G card with built-in SRC |
| Digitalcross-pointmatrix(inputtooutputrouting) | 4,096 x 4,096 |
| Summingmatrixwithmonitorprofiles | 512 x 64 (supports full theatrical Dolby Atmos mixing)Monitor GroupsFold DownsGroup Formats |
| Roomcalibration | Built-in SPQ speaker processing with 256 filters on 16 channels; delay management adjustable up to 150 ms per channel |
| SupportedDAWs | Pro Tools, Logic Pro, Cubase, and other Core Audio workstations |
| EUCONintegration | Yes |
| Systemsync | Word Clock/video black burst (VBB) via BNC connectors, Dante Sync, Digital Inputs |
| Supportedsamplerates | 44.1 kHz?384 kHz |
| Chassis | 2U 19” rack-mountable unit |
オススメ度 4.4点
現在、13件のレビューが投稿されています。